
Andrei
Severny
Andrei Severny is a filmmaker, photographer and video artist whose work operates on multiple levels, engaging both intuition and intellect.
Selected films, documentaries and video installations.

Andrei Severny is a filmmaker, photographer and video artist whose work operates on multiple levels, engaging both intuition and intellect.
Selected films, documentaries and video installations.

A timeless, true story of human passion, willpower and resolve in the face of adversity.
Buried Seeds is a timeless and true story of human passion, willpower and resolve in the face of adversity. The film follows Michelin-star chef Vikas Khanna on his journey as an immigrant.
Born with clubbed feet in Amritsar, Vikas is bullied by his classmates. He takes refuge in his grandmother's kitchen and discovers his passion for the vivid traditions of Indian cuisine.
At the age of 29, Vikas moves to New York with nothing in his pocket and ends up in a homeless shelter. Through years of struggle and hard work, he opens his first Indian restaurant in Manhattan.
Vikas Khanna grows to become one of the most influential chefs in the world and a cultural ambassador of his nation. While wealth and glory may be transient, what truly defines him is the will to create himself every single day.
SYNCHRONICITY FILMS PRESENTS AN ANDREI SEVERNY FILM “BURIED SEEDS” VIKAS KHANNA · EDITORS ANDREI SEVERNY, STEPHEN CARDONE · DIRECTOR OF PHOTOGRAPHY ANDREI SEVERNY, ANTONIO PACHECO · ADDITIONAL PHOTOGRAPHY ROHIT GAONKAR, STEPHEN CARDONE, LOURDES SEVERNY · SOUND MIXER PER ØSTERBY · SOUND RE-RECORDING MIXER ELI COHN · LINE PRODUCERS SHIVAM KAPUR, DEEPALI KAMPANI, NIRITI NAGPAL · CO-PRODUCER JITENDRA MISHRA · DISTRIBUTOR FILMKARAVAN · DIRECTED BY ANDREI SEVERNY

A synergy of dance and cinema — the story of creation, inner struggle and transformation.
Gravitation is a synergy of dance and cinema. It features Diana Vishneva, principal dancer of the Mariinsky Ballet and the American Ballet Theater.
The film is the story of creation, inner struggle and transformation. Calligraphic black-and-white images are rich in metaphors exploring the notions of time and space, movement and light.
Filmed with Phantom Flex 4K cameras at the Alvin Ailey Theater in New York.
SYNCHRONICITY FILMS AND THE DIANA VISHNEVA FOUNDATION PRESENT AN ANDREI SEVERNY FILM “GRAVITATION: VARIATION IN TIME AND SPACE” · DIANA VISHNEVA · CHOREOGRAPHER MAURO BIGONZETTI · EXECUTIVE PRODUCER REM KHASS · EDITORS ANDREI SEVERNY, SAM NEAVE · DIRECTOR OF PHOTOGRAPHY STEVE ROMANO · JIB PHOTOGRAPHY MIKE MILIA · GAFFER MATT TOMKO · GRIP GT WOMACK · DIT SASHA BURDETT · AC GLEN CHIN · SHOT AT THE ALVIN AILEY THEATER · WRITTEN BY REM KHASS · DIRECTED BY ANDREI SEVERNY
A cinematic, interactive experience that places the viewer inside a true high-stakes story.
Inside Risk: Shadows of Medellín is a feature-length interactive film that immerses the viewer in a true story of trust and decision-making under extreme pressure, blending cinematic storytelling with real-time choice.
The project has since grown into InsideRisk — a behavioral-intelligence platform that uses highly immersive, cinematic experiences to reveal and strengthen leadership behavior. It is used today by some of the most demanding organizations in the world for assessment, training and leadership development.
A meditative psychological drama set in an apocalyptic atmosphere — a battle for survival, salvation, sound and nature.
Condition is a 2011 science-fiction film, directed by Andrei Severny and produced by Amir Naderi — a meditative psychological drama set in an apocalyptic atmosphere.
The story is a sensory battle between two women: the sound therapist Mary Taggert and her patient, a young disturbed woman, Alaska. The doctor evacuates with her patient, driving away from the city toward an unspecified northern territory near the border. Having run out of gas, the two are stranded in a mysterious, rough and rocky wilderness by the ocean, where it becomes a battle for survival and a struggle with inner wounds — and salvation through sound and nature.
The psychologically complex, slow narrative relies on sequences of abstract images one might expect to see in a museum or gallery. No musical instruments were used in any of the sounds heard in the film.
Condition was shot on location in New York City and along the northern shoreline of Maine.
A voice, a few notes, or waves rolling on the shoreline can trigger profound emotions. For many years scientists have tried to understand the power of sound, which to this day remains a mystery. A handful of researchers use sound waves to address various illnesses — practices not yet embraced by mainstream medicine. I hope Condition will broaden the dialogue on this subject.
The psychological impact of catastrophic events, intentionally left undefined, forms an important theme of the film. Anywhere in today's world we are subject to stresses caused by man-made disasters. This environment creates a certain condition in all of us; in this sense, we are all prone to some form of post-traumatic stress.
Another meaning of condition, prominent in the Russian language, is a certain emotional state — non-verbal and transcendent. A good part of the film explores this realm, a space in which, absent words and dialogue, a more spiritual meaning emerges. Here, narrative is secondary to feeling and atmosphere, expressed in a way possible only in cinema.
AN AMIR NADERI PRODUCTION · A FILM BY ANDREI SEVERNY · “CONDITION” · ANTONELLA LENTINI · JESSICA KAYE · STEVE MOSHIER · SOUND CONSTRUCTIONS RICHARD GARET · WRITTEN, SHOT AND EDITED BY ANDREI SEVERNY · PRODUCED BY AMIR NADERI
“If you do one thing today, watch this 40-minute crash course in design thinking.”
Teaching to See is an educational documentary about graphic design and the teaching of Inge Druckrey, told through her students and colleagues. The film covers the principles of seeing, analyzing and executing — offering insights into graphic design, typography, composition, form and visual-arts education.
“This is about patient and dedicated teaching, about learning to look and visualize in order to design. There are simple phrases that give insight into complex matters — for example, that letterforms are “memories of motion.””Matthew Carter, type designer, 2010 MacArthur Fellow

A seven-minute love story set against the psychological extremes of deep-space travel.
Tom is an astronaut who, in 2049, goes on the second mission to Mars. Just days before launch he meets the love of his life — Maria. Travelling farther from Earth on his complex and risky voyage, Tom begins to experience serious psychological difficulties. Confinement, isolation and the inability to stay in touch with Maria make him shut down communications with mission control. The enduring test does not cease even upon his return from a 70-million-mile journey.
The story is based on real-life cases of dangerous psychological challenges experienced by astronauts during long space assignments, and by researchers stationed in remote areas such as Antarctica.
An experimental short exhibited at festivals across Europe, India and the Americas.
A five-minute experimental short shot on 16mm and digital, screened internationally from Milan and Avignon to Barcelona, Winnipeg and Kolkata.
A venue-specific video installation built for an ultra-wide 27 × 5-foot screen.
CityAction is a venue-specific video installation made for the ultra-wide 27 × 5-foot (9 × 1.5-metre) screen at the Made In NY Media Center in New York.
It shows a mosaic compilation of moving shots of the city, capturing the energy and feeling of New York as one living urban organism. Its elements break the rules of perspective and gravity to create impossible spaces; the composition constantly moves, evolves and unravels new layers and depth, using every pixel of the resolution.
A multi-screen rear-projection installation — a digital equivalent of looking into yourself.
Intravertigo is a multiple-screen rear-projection video installation with sound, showing colourful, fast-moving images generated by video feedback — pointing a camera into a screen to create an infinite loop of mostly abstract imagery. It is a digital equivalent of looking into yourself and getting in touch with an urgent, inexplicable and infinite mystery of your immediate presence.
Since early childhood I enjoyed looking at the world, observing reality — but sometimes I couldn't help peeking inside myself. The idea of being in this world at this particular moment gave me shivers: a strange, strong, biting sensation of being thrown out of everyday role-playing into a fast hyper-reality and superior truth that, in my mind, felt almost tangible. It was a shock of electricity, something infinite echoing and shaking my consciousness. I have always wanted to translate this feeling into film.
Light reflected off water, slowly taking the shapes of Japanese calligraphy. No computer graphics.
Abstract, colourful and mysterious images move slowly in the dark, sometimes taking the shapes of Japanese calligraphy. The installation captures sequences of light reflections off the surface of water — no computer graphics were involved. The name Minamo means, in Japanese, the water surface, or the face of the water.
In ancient mythology water represented the subconscious — the ever-changing, transcendental stream beyond time and space. I am deeply intrigued by the realm outside human culture, the non-verbal and primal around us that we often feel but can never explain.

Andrei Severny is a filmmaker, photographer and video artist whose work operates on multiple levels, engaging both intuition and intellect.
His stories often integrate scientific analysis and reveal a singular vision of the future. On his quest to show the inner world, Severny engages in both reality and abstraction. His narrative and documentary films explore art, human perception, the senses, psychology and neuroscience.
Since 2007 Severny has collaborated with Edward Tufte, the world-renowned master of analytical design, producing the acclaimed documentary “Teaching to See” along with more than twenty short films on art and analytical design.
Andrei Severny's first feature-length film, “Condition,” was produced by the fierce independent filmmaker Amir Naderi and premiered at the 29th Torino Film Festival in Italy. His feature documentary “Buried Seeds,” the life journey of Michelin-star chef Vikas Khanna, premiered its trailer at the Cannes Film Festival and was released internationally by National Geographic.
Severny was born in 1977 in Moscow, Russia, into a family of astronomers. Since 2004 he has lived and worked in New York City, where he makes films, photographs and video installations.
Professor Emeritus at Yale and the pioneering author of “The Visual Display of Quantitative Information,” “Envisioning Information,” “Visual Explanations” and “Beautiful Evidence.” Since 2007 Tufte and Severny have produced more than twenty short films on art and analytical design, including “Teaching to See.” Called “the Leonardo da Vinci of data” by The New York Times.
One of the most important figures in contemporary art cinema, Naderi jumpstarted the Iranian new wave and has pushed generations of filmmakers worldwide toward purer cinema. He produced Severny's first feature, “Condition”; Severny was cinematographer on Naderi's “Fortune Cookie,” made for MoCA New York.